Note: Please understand that this website is not affiliated with the Jean Patou company in any way, it is only a reference page for collectors and those who have enjoyed the Jean Patou fragrances.


The goal of this website is to show the present owners of the Jean Patou company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back the perfume!


Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.

Showing posts with label cologne. Show all posts
Showing posts with label cologne. Show all posts

Tuesday, May 12, 2015

Patou Pour Homme by Jean Patou c2014

Patou Pour Homme by Jean Patou: launched in 2014 and created by Thomas Fontaine as part of the Heritage Collection. This is the reformulated fragrance Patou Pour Homme originally launched by Jean Patou in 1980.


Saturday, August 23, 2014

Voyageur by Jean Patou c1995

Voyageur by Jean Patou: launched in 1995, created by Jean Kerleo. .



Patou Pour Homme by Jean Patou c1980

Patou Pour Homme by Jean Patou: launched in 1980, created by Jean Kerleo.



Patou Pour Homme Prive by Jean Patou c1994

Patou Pour Homme Prive was created by Jean Kerleo in 1994





Moment Supreme by Jean Patou c1929

In the context of the 1920s, the launch of Jean Patou's perfume "Moment Supreme" carries intriguing connotations related to sensuality and cultural attitudes towards lovemaking. In France, the term "Moment Supreme" was often used euphemistically to refer to "Le Petit Mort," which translates to "the little death" and symbolizes orgasm. This usage reflects a cultural fascination with pleasure and indulgence during the interwar period, characterized by the liberation of social norms and the embrace of hedonistic pursuits.

Jean Patou's choice of the name "Moment Supreme" for his perfume is therefore layered with symbolic meaning. By evoking a moment of ultimate pleasure and transcendence, the name suggests a sensory experience that is both fleeting and profound, akin to the climax of intimate connection. This makes "Moment Supreme" a fitting name for a perfume, as it promises to capture and embody a moment of heightened emotion, luxury, and refinement.

Those drawn to a perfume named "Moment Supreme" would likely be individuals who appreciate sophistication, elegance, and the finer pleasures in life. They would respond to the perfume with a desire to indulge in its luxurious aura, seeking to enhance their own moments of personal allure and sensuality. The fragrance would resonate particularly well in cosmopolitan centers like Paris, London, and New York, where a sophisticated clientele values both tradition and innovation in perfume craftsmanship.

The word "Moment Supreme" evokes images of decadence, passion, and intimacy, conjuring scenes of romantic evenings, opulent settings, and the allure of timeless elegance. Emotionally, it suggests a sense of anticipation and fulfillment, capturing the essence of a fleeting yet unforgettable experience.

As a name for a perfume, "Moment Supreme" is indeed unique, standing out from more conventional floral or abstract titles commonly used in the perfume industry. Its interpretation varies, offering a sophisticated audience an intriguing glimpse into the perfume's promise of exquisite pleasure and refined indulgence.

Wednesday, July 10, 2013

L'Heure Attendue by Jean Patou c1946

L'Heure Attendue by Jean Patou was launched in 1946, a period marked by the aftermath of World War II and the liberation of Paris from Nazi occupation. The name "L'Heure Attendue," which translates to "The Awaited Hour," encapsulates the collective sigh of relief and the deep sense of anticipation that characterized the end of the war. The years of occupation were filled with fear, deprivation, and resilience, and the liberation brought a renewed hope and a longing for peace and normalcy. In this context, Jean Patou's choice to name the perfume "L'Heure Attendue" was deeply symbolic, reflecting a momentous turning point and the joyous expectations of a brighter future.

The name "L'Heure Attendue" makes a fitting choice for a perfume because it evokes a sense of anticipation and fulfillment, emotions that resonate with many people. After years of hardship, the end of the war represented a long-awaited promise of better times. The perfume, with its evocative name, would have appealed to those who had endured the war, offering them a fragrant symbol of hope and new beginnings. The name itself suggests a milestone, a moment of triumph, and the culmination of enduring patience and hope.

"L'Heure Attendue" would have resonated with individuals who experienced the war firsthand, particularly those in Europe who lived through the occupation and its aftermath. These individuals would likely respond to the perfume with a mix of nostalgia and relief, finding solace in its scent as a reminder of the long-awaited peace. The perfume would also appeal to those who admired the resilience and spirit of the French people during the war, offering a connection to this pivotal moment in history.

This type of perfume would be most popular in regions deeply affected by World War II, especially in Europe. However, its universal themes of hope and renewal could make it appealing worldwide, particularly in countries that were allies during the war. The perfume's name would evoke images of celebration, liberation, and the promise of a new era. Emotions of joy, relief, and optimism would be stirred, as well as a deep appreciation for the sacrifices made to achieve this long-awaited moment.

The name "L'Heure Attendue" is unique for a perfume, as it captures a specific historical context while also embodying timeless themes of anticipation and realization. It would be interpreted as a celebration of a long-awaited event, making it both a historical homage and a universally relatable concept. This duality adds to its charm and appeal.


Monday, July 8, 2013

Jean Patou's Parfum-Colognes

In 1936, Jean Patou introduced their versions of eau de cologne, which they dubbed "Parfum-Cologne". It combined the refreshing quality of eau de cologne with the long lasting tenacity of a parfum.



It was recommended for daytime or evening use during the summer to help refresh and cool the body. Meant to be splashed lavishly after a bath or shower to help keep you smelling great and abandon the heavy perfumes to winter.

Originally it was only a splash on fragrance, but in the late 1960s, it also was expanded into a spray form as well.

Parfum-Cologne was still available in 1983 in the Caline scent.

Over the years, the Parfum-Colognes were available in the following scents:
  • L'Heure Attendue
  • Moment Supreme
  • Cocktail Dry
  • Amour Amour
  • Colony
  • Caline

The oldest bottles, dating from the 1930s-1940s, are columnar in shape with arched shoulders, they are simply marked "Jean Patou" on the base and are fitted with ground glass stoppers. They feature paper labels and a strip like paper label along the bottom. These are packaged in plain white boxes with a single JP logo on the front.

c1949 ad showing glass stoppered bottles


The slightly later columnar bottles, dating from the 1950s -1960s have "Jean Patou Bottle Made in France" and some numbers on the base and are fitted with plastic screw caps. Early bottles (1950s-still being used in 1959) have black screw caps. They feature paper labels and a strip like paper label along the bottom, though the strip label was later discontinued. Some of these may have a small round paper label with the alcohol volume percentage on the lower back side.These are packaged in white boxes with an all over JP logo pattern.

c1961 ad showing black plastic caps


In the 1960s, just before the changeover to a new bottle style, the columnar bottles were fitted with gold plastic screw caps and housed in white boxes with simple lettering in a square frame on the front. These bottles still have a paper label on the front and may have a small round paper label with the alcohol volume percentage on the lower back side. The base of the bottle is molded with "Jean Patou Bottle Made in France".You may find some of these newer bottles in the old JP logo boxes as old stock was used up.

The newest bottles, used from the 1960s-1980, are squat, oval shaped with screw caps or sprays and have the perfume name screen printed on the bottle. These are packaged in white boxes with gold lettering.

Available in 3.4 oz (100ml), 4 oz, 5.1 oz (150ml), 8 oz, 16 oz and 32 ounce sizes.

Tall columnar bottles:


Plastic caps:

  • Ref. No. 128
  • 6.8 oz bottle (Ref. No 130) stands 
  • stands 4" tall
  • 1.6 oz 
  • 4 oz bottle stands 4.5" tall (plastic cap)
  • 5" tall
  •  Ref. (No. 528)
  • 3.5 oz bottle (Ref. No. 529) stands 5.5" tall
  • (Ref. No. 530)
  • Moment Supreme Ref. No 503 stands 6.5" tall (plastic cap)
  • 6.8 oz stands 
  • 7 1/3 oz stands 6.75" tall
  • Cocktail Dry 8 oz stands 5.25" tall (plastic cap)
  • Moment Supreme 8 oz stands 6.75" tall  (plastic cap)
  • No. 4301 
Glass stopper bottles:

  • stands 5.5" tall  (glass stopper)
  • 8 oz stands 7" tall. (glass stopper)
  • One litre bottle stands 11.5" tall.








c1950 Parfum-Cologne, photo by perfumeprojects

c1950-1960, photo by etsy seller ChiChiPerfumes


c1955-1960 Parfum-Cologne, photo by etsy seller eColognes


c1965-1970s Parfum-Cologne, photo by etsy seller thevintageretroshop

Sunday, July 7, 2013

Invitation by Jean Patou c1928

In the late 1920s and early 1930s, the world was teetering between the exuberance of the Roaring Twenties and the looming shadows of the Great Depression. During this time, society experienced dramatic cultural shifts. Women were becoming more independent, embracing new roles and identities, and fashion was evolving rapidly. The jazz age, flapper culture, and the burgeoning film industry all contributed to a sense of liberation and modernity. In this context, Jean Patou's perfume "Invitation," launched in 1928 in France and 1932 in the USA, was a reflection of the era's spirit.

The name "Invitation" evokes a sense of allure and mystery, suggesting an unspoken call to experience something special and enchanting. For Jean Patou, choosing the name "Invitation" for a perfume was likely an intentional decision to capture the essence of seduction and romance. The word "invitation" itself carries connotations of anticipation and desire, making it a fitting choice for a fragrance meant to entice and captivate.

A perfume named "Invitation" would indeed act as an invisible beckoning, a subtle yet powerful means of drawing attention. In an era where personal allure was accentuated by fashion and elegance, "Invitation" could be seen as a tool for women to enhance their charm and sophistication, silently inviting those around them to come closer and take notice. The scent would embody the promise of an unforgettable encounter, making it a compelling accessory for any woman seeking to make an impression.

"Invitation" would resonate with women who were confident, stylish, and attuned to the social currents of the time. These women, whether in the bustling streets of Paris or the vibrant speakeasies of New York, would respond to the perfume with a sense of empowerment and allure. The fragrance would be most popular in cosmopolitan areas where sophistication and fashion were highly valued. Cities like Paris, London, and New York, hubs of cultural and social activity, would be ideal settings for "Invitation" to thrive.

The word "Invitation" evokes images of elegant gatherings, intimate soirees, and romantic evenings. It stirs emotions of excitement, curiosity, and a yearning for connection. As a name for a perfume, "Invitation" stands out for its uniqueness and the depth of meaning it conveys. It suggests a narrative, an experience waiting to unfold, and promises more than just a pleasant scent.