Note: Please understand that this website is not affiliated with the Jean Patou company in any way, it is only a reference page for collectors and those who have enjoyed the Jean Patou fragrances.


The goal of this website is to show the present owners of the Jean Patou company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back the perfume!


Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.

Showing posts with label Lasso. Show all posts
Showing posts with label Lasso. Show all posts

Thursday, July 4, 2013

Lasso by Jean Patou c1956

In 1956, the period surrounding the launch of Jean Patou's "Lasso" perfume was marked by an intriguing blend of post-war optimism and burgeoning femininity. This era saw the rise of perfumes not just as scents, but as tools of seduction and empowerment. Women were increasingly portrayed as both romantic figures and individuals with agency, capable of using allure and charm to their advantage.

The word "Lasso" translates to "lasso" in English, which refers to a loop of rope typically used for capturing animals. In the context of a perfume name, "Lasso" suggests something that captures or ensnares attention, akin to the way a lasso captures its target. Jean Patou likely chose this name to evoke the idea of seduction and attraction, where the perfume acts as a metaphorical lasso, drawing attention and admiration.

"Lasso" makes a compelling name for a perfume because it implies a potent allure and the ability to captivate. It suggests that wearing this perfume could act like an invisible lasso, drawing others closer. The target audience for "Lasso" would likely be women who are confident in their femininity and want to use scent as a tool of seduction and empowerment.

This perfume would have resonated particularly well in cosmopolitan cities where romance and allure were valued, such as Paris, New York, and London. The name "Lasso" evokes images of elegance, intrigue, and seduction, appealing to women who seek to charm and captivate.

The word "Lasso" is unique for a perfume name, as it conveys a sense of action and attraction. It suggests movement, capture, and allure, standing out amidst more traditional perfume names.


Interpreted in the context of a perfume, "Lasso" would be seen as a fragrance that enhances femininity and allure, drawing attention and admiration. It promises to be worn during evenings out, special occasions, or anytime a woman wants to feel confident and captivating.

In summary, Jean Patou's "Lasso," launched in 1956 and composed by Guy Robert, embodies an era where perfumes were not just scents but tools of seduction and empowerment. Its name suggests capturing attention and allure, appealing to cosmopolitan women seeking to enhance their femininity and charm. The perfume would have been most popular in urban settings where romance and allure were celebrated, evoking images of elegance and intrigue while promising to enhance a woman's allure and captivate those around her.