Note: Please understand that this website is not affiliated with the Jean Patou company in any way, it is only a reference page for collectors and those who have enjoyed the Jean Patou fragrances.


The goal of this website is to show the present owners of the Jean Patou company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back the perfume!


Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.

Showing posts with label Colony. Show all posts
Showing posts with label Colony. Show all posts

Friday, March 13, 2015

Colony by Jean Patou c2014

Colony by Jean Patou: launched in 2014 and created by Thomas Fontaine as part of the Heritage Collection. This is the reformulated fragrance Colony originally launched by Jean Patou in 1938.

Monday, July 8, 2013

Jean Patou's Parfum-Colognes

In 1936, Jean Patou introduced their versions of eau de cologne, which they dubbed "Parfum-Cologne". It combined the refreshing quality of eau de cologne with the long lasting tenacity of a parfum.



It was recommended for daytime or evening use during the summer to help refresh and cool the body. Meant to be splashed lavishly after a bath or shower to help keep you smelling great and abandon the heavy perfumes to winter.

Originally it was only a splash on fragrance, but in the late 1960s, it also was expanded into a spray form as well.

Parfum-Cologne was still available in 1983 in the Caline scent.

Over the years, the Parfum-Colognes were available in the following scents:
  • L'Heure Attendue
  • Moment Supreme
  • Cocktail Dry
  • Amour Amour
  • Colony
  • Caline

The oldest bottles, dating from the 1930s-1940s, are columnar in shape with arched shoulders, they are simply marked "Jean Patou" on the base and are fitted with ground glass stoppers. They feature paper labels and a strip like paper label along the bottom. These are packaged in plain white boxes with a single JP logo on the front.

c1949 ad showing glass stoppered bottles


The slightly later columnar bottles, dating from the 1950s -1960s have "Jean Patou Bottle Made in France" and some numbers on the base and are fitted with plastic screw caps. Early bottles (1950s-still being used in 1959) have black screw caps. They feature paper labels and a strip like paper label along the bottom, though the strip label was later discontinued. Some of these may have a small round paper label with the alcohol volume percentage on the lower back side.These are packaged in white boxes with an all over JP logo pattern.

c1961 ad showing black plastic caps


In the 1960s, just before the changeover to a new bottle style, the columnar bottles were fitted with gold plastic screw caps and housed in white boxes with simple lettering in a square frame on the front. These bottles still have a paper label on the front and may have a small round paper label with the alcohol volume percentage on the lower back side. The base of the bottle is molded with "Jean Patou Bottle Made in France".You may find some of these newer bottles in the old JP logo boxes as old stock was used up.

The newest bottles, used from the 1960s-1980, are squat, oval shaped with screw caps or sprays and have the perfume name screen printed on the bottle. These are packaged in white boxes with gold lettering.

Available in 3.4 oz (100ml), 4 oz, 5.1 oz (150ml), 8 oz, 16 oz and 32 ounce sizes.

Tall columnar bottles:


Plastic caps:

  • Ref. No. 128
  • 6.8 oz bottle (Ref. No 130) stands 
  • stands 4" tall
  • 1.6 oz 
  • 4 oz bottle stands 4.5" tall (plastic cap)
  • 5" tall
  •  Ref. (No. 528)
  • 3.5 oz bottle (Ref. No. 529) stands 5.5" tall
  • (Ref. No. 530)
  • Moment Supreme Ref. No 503 stands 6.5" tall (plastic cap)
  • 6.8 oz stands 
  • 7 1/3 oz stands 6.75" tall
  • Cocktail Dry 8 oz stands 5.25" tall (plastic cap)
  • Moment Supreme 8 oz stands 6.75" tall  (plastic cap)
  • No. 4301 
Glass stopper bottles:

  • stands 5.5" tall  (glass stopper)
  • 8 oz stands 7" tall. (glass stopper)
  • One litre bottle stands 11.5" tall.








c1950 Parfum-Cologne, photo by perfumeprojects

c1950-1960, photo by etsy seller ChiChiPerfumes


c1955-1960 Parfum-Cologne, photo by etsy seller eColognes


c1965-1970s Parfum-Cologne, photo by etsy seller thevintageretroshop

Colony by Jean Patou c1937

In the 1930s, the context of French colonies was deeply intertwined with notions of exoticism, luxury, and adventure. This was a period when travel to far-flung destinations was becoming more accessible, and the allure of tropical climates and exotic locales captivated the imagination of many in Europe and beyond. French colonies, particularly in Africa, the Caribbean, and Southeast Asia, represented a blend of mystique, natural beauty, and cultural richness.

The French Colonial Exposition (Exposition coloniale internationale) of 1931, held in Paris, was a grand showcase of France's colonial empire, featuring pavilions dedicated to various territories under French control. It displayed cultural artifacts, natural resources, and achievements from colonies across the globe, capturing the imaginations of visitors with exotic imagery and the allure of far-off lands. The expo aimed to promote French colonialism, highlight its economic benefits, and reinforce cultural ties between France and its colonies. Jean Patou, a visionary in the world of perfumery, found inspiration in this rich tapestry of cultural diversity and luxury. The exposition highlighted tropical elements such as rare materials and exotic fruits like pineapple, symbolizing opulence and exoticism in the early 20th century.

Patou's decision to create the perfume "Colony," launched in 1937, was influenced by this cultural zeitgeist. The fragrance aimed to encapsulate the essence of the French colonies, particularly emphasizing the lush and tropical atmosphere evoked by the exposition. Pineapple, a central note in Colony, became synonymous with luxury and exoticism, echoing the themes celebrated at the 1931 exposition. Patou's approach to perfumery was meticulous; he ensured that Colony not only captured the scent of pineapple accurately but also resonated with the cultural fascination of the era.

The timing of Colony's release in 1937 was strategic. Perfume development involves rigorous testing and refinement to achieve the desired olfactory profile, especially when aiming to recreate specific scents like pineapple. Patou also likely considered market timing, waiting for an opportune moment after the initial buzz of the exposition had settled, while still capitalizing on the enduring allure of colonial themes in fashion and culture. By 1937, Colony was ready to be widely distributed and marketed, ensuring its success as a fragrance that captured the exoticism and luxury associated with the French colonies, inspired by the grandeur of the 1931 exposition.

Patou's decision to launch the perfume "Colony," created by Henri Almeras, was influenced by this cultural zeitgeist. The fragrance aimed to encapsulate the essence of the French colonies, particularly emphasizing the lush and tropical atmosphere evoked by the exposition. Pineapple, a central note in Colony, became synonymous with luxury and exoticism, echoing the themes celebrated at the 1931 exposition. The word "Colony" itself evokes images of distant lands under French rule, where pineapples were often grown as a symbol of tropical abundance and sophistication. Pineapples, being a luxury fruit in Europe at the time, carried connotations of wealth and exoticism. Patou's approach to perfumery was meticulous; he ensured that Colony not only captured the scent of pineapple accurately but also resonated with the cultural fascination of the era.

"Colony" would have appealed to individuals seeking to evoke the essence of adventure, luxury, and tropical escape. Those who related to this perfume might have been travelers, colonial officials, socialites, or anyone fascinated by the allure of far-off lands and tropical climates. The scent of pineapple, a central note in Colony, would have further enhanced the perfume's association with freshness, sweetness, and the exotic.

This type of perfume would likely have been most popular in cosmopolitan cities where there was a strong interest in fashion, luxury goods, and the latest trends in perfumery. Places like Paris, London, New York, and other major European capitals would have been ideal markets for a perfume named "Colony," as they were hubs of cultural exchange and appreciation for luxury goods from around the world.

The name "Colony" itself is quite unique for a perfume. It suggests a narrative of exploration, discovery, and the opulence associated with French colonial possessions. It would have been interpreted as a symbol of sophistication and worldliness, appealing to those who sought to embody a sense of adventure and refinement in their daily lives.