Note: Please understand that this website is not affiliated with the Jean Patou company in any way, it is only a reference page for collectors and those who have enjoyed the Jean Patou fragrances.


The goal of this website is to show the present owners of the Jean Patou company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back the perfume!


Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.

Saturday, August 23, 2014

Hip by Jean Patou c2001

In 2001, young American women were at the forefront of a cultural shift marked by bold fashion choices and an embrace of individuality. Pop stars like Christina Aguilera and Shakira were influential, setting trends that included wearing sexy low-rise jeans that sat on the hips, often paired with cropped tops that bared the midriff. This fashion statement was not just about clothing; it was a symbol of confidence, freedom, and a rebellious spirit that resonated with a generation eager to define themselves on their own terms.

Jean Patou's choice of the name "HIP" for their new perfume in this context was a clever nod to the zeitgeist. The term "hip" has long been associated with being fashionable, in-the-know, and ahead of the curve. By naming the perfume "HIP," Jean Patou aimed to capture the essence of the era's impulsiveness, spirited energy, and the enduring femininity that was celebrated by young women at the time. The name "HIP" would immediately resonate with the target demographic, who were not only following fashion trends but also keen to align themselves with a brand that understood and embodied their lifestyle.

A perfume called "HIP" would naturally appeal to a young, vibrant audience that related to the pop culture icons of the early 2000s. These women, often in their teens and twenties, were exploring their identities, expressing themselves through bold fashion choices, and seeking out products that matched their energetic and spontaneous lifestyles. They would respond to "HIP" as a statement fragrance, one that not only complemented their style but also made them feel part of a larger cultural movement.

The popularity of "HIP" would likely be strongest in urban centers and metropolitan areas, where trends often start and spread. Cities like New York, Los Angeles, and Miami, with their dynamic fashion scenes and vibrant youth cultures, would be prime markets for this perfume. The word "HIP" evokes images of trendy nightclubs, bustling city streets, and the pulsating energy of a generation on the move. It conjures emotions of excitement, confidence, and the thrill of being at the cutting edge of fashion and culture.

The name "HIP" for a perfume in 2001 was both unique and timely. It was not out of touch; rather, it was perfectly in tune with the cultural currents of the moment. The interpretation of the word "HIP" in this context would be multifaceted—it implied being fashionable, stylish, and ahead of trends. It suggested a modern, dynamic, and youthful spirit that was unafraid to break conventions and set new standards.

By launching "HIP" as a limited series for the US market only, Jean Patou capitalized on the American cultural landscape's unique characteristics. The perfume's creation by Jean Michel Duriez aimed to encapsulate the "essences of impulsiveness, spirit, and enduring femininity," making it a perfect fit for the young American woman of the early 2000s. This strategic move not only showcased Jean Patou's adaptability to contemporary trends but also highlighted their ability to remain relevant and innovative in a rapidly changing world.


Fragrance Composition:



So what does it smell like? It was classified as a fruity floral fragrance for women.
  • Top notes: pear, red grapefruit, red berries, rhubarb, Mauritius pink peppercorn
  • Middle notes:  Bulgarian rose, linden blossom, Madagascar ylang ylang
  • Base notes: Chinese ginger, musk, Mysore sandalwood, Haitian vetiver


Scent Story:

The stage is electric, pulsing with the energy of thousands of fans. The lights dim, and a hush falls over the crowd. A single spotlight illuminates the young pop princess as she steps into view. She’s wearing sexy low-rise jeans that hug her hips, a sparkling crop top that leaves her midriff bare, and colorful hair extensions that cascade down her back. Her high heels click against the stage as she takes her place, a microphone in hand. The music starts, and she begins to sing, her voice soaring above the thumping bass.

From the front row, I can see the confidence in her eyes, the way she owns the stage. The scent of her perfume, HIP by Jean Patou, mingles with the electrifying atmosphere. The initial burst is vibrant and fresh, with the sweetness of ripe pear and the tang of red grapefruit. It's as if I'm biting into a crisp, juicy pear, the flavor exploding in my mouth, while the zest of grapefruit tingles my senses. The hint of red berries adds a luscious depth, reminiscent of a handful of fresh, summer fruits, while the unique sharpness of rhubarb cuts through with a refreshing tartness. The exotic hint of Mauritius pink peppercorn lingers, adding a subtle spiciness that tingles the nose.

After the final encore, the curtain falls, and she heads backstage. The dressing room is a sanctuary of calm compared to the frenzy of the stage. She collapses onto a plush sofa, her breathing still heavy from the performance. The room is filled with the delicate fragrance of her perfume as it begins to settle into its heart notes. The softness of Bulgarian rose wafts through the air, as if a bouquet of freshly picked roses is within arm’s reach. The scent is rich and velvety, evoking the image of petals brushing against my skin. Linden blossom adds a light, honeyed sweetness, reminiscent of a summer’s day, while Madagascar ylang ylang introduces a creamy, tropical floral note that is both soothing and intoxicating.

As she sips on a glass of sparkling water, I catch a glimpse of the silver jewelry adorning her wrists, glinting under the soft lights. The aftertaste of the berries lingers on her lips, sweet and tangy, a reminder of the wild energy of her performance. She takes off her high heels, wiggling her toes in relief, the coolness of the floor against her skin a welcome contrast to the heat of the stage.

The base notes of her perfume begin to emerge, grounding the fragrance with warmth and depth. The spicy, earthy scent of Chinese ginger fills the room, like freshly grated ginger root, sharp and invigorating. The musk is soft and sensual, wrapping around me like a gentle embrace. Mysore sandalwood adds a creamy, woody richness that is both calming and luxurious, making me feel as if I’m enveloped in the smoothest silk. The Haitian vetiver introduces a smoky, grassy note, grounding the fragrance with a natural, earthy touch.

As she changes into a casual outfit, her bare midriff now covered by a soft, oversized sweater, I can see the transformation from pop princess to the relaxed, young woman she is offstage. The air is still thick with the complex layers of her perfume, each note telling a part of her story. The word "HIP" resonates deeply in this moment—it's the perfect encapsulation of her spirit, impulsive and free, yet undeniably feminine. This perfume is more than a scent; it's a statement, a testament to her enduring appeal and the vibrant energy she brings to every performance.

Bottle:


The bottle for HIP by Jean Patou is a study in elegant simplicity, crafted from clear glass that showcases the fragrance within. Its square shape is modern and clean, exuding a contemporary allure that complements the youthful spirit of the perfume. Topping the bottle is a striking fuchsia stopper, adding a vibrant pop of color that contrasts beautifully with the clarity of the glass. For convenience, the bottle features an interchangeable spray head, allowing users the choice between spraying their fragrance or dabbing it on for a more traditional application.

What truly sets the bottle apart is its front adorned with Swarovski crystals delicately forming the brand's logo. These crystals catch the light, adding a touch of glamour and luxury to the packaging. The colorful theme of the packaging is harmonized with the fuchsia shade of the stopper, creating a cohesive visual identity that reflects the youthful and energetic essence of HIP by Jean Patou. This design not only enhances the aesthetic appeal of the perfume but also serves as a statement piece on any vanity, embodying the blend of modernity and luxury that defines the fragrance within.



Fate of the Fragrance:


As a limited edition fragrance exclusive to the US market, Hip by Jean Patou made a memorable impact before its production ceased in 2009. Reflecting the vibrant spirit of its time, Hip captured the essence of impulsiveness and enduring femininity with its fruity floral composition. Its stylish bottle, adorned with Swarovski crystals and topped with a striking fuchsia stopper, encapsulated the modernity and luxury associated with the Jean Patou brand.

Despite its discontinuation, Hip remains a cherished memory for those who embraced its youthful allure and vibrant personality. Its brief availability in the market marked a period when fragrances were not just scents, but reflections of cultural trends and individual expression. For fans of Hip, its legacy lives on in nostalgic recollections of a fragrance that once epitomized the spirit of a generation.


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