The goal of this website is to show the present owners of the Jean Patou company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back the perfume!
Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.
Sunday, March 17, 2019
Le Parfum de Venise by Jean Patou c1999
Wednesday, September 2, 2015
Patou is Seeking to Find Milady's Perfect Perfumes
"The woman who uses perfume subtly and with restraint, who has found the one odor that blends perfectly with her skin and her particular bodily chemistry, has the most potent weapon of the charmer. She has matched with nature an won."
So says Monsieur Jean Patou, the celebrated French designer, who has maintained a research department for two years in Paris which does nothing but experiment with perfumes.
He is trying to find the perfect perfume that will form the last finishing touch to his perfect sartorial creations.
But he admits candidly that he hasn't found it. And further, he says not one woman in a thousand knows how to use perfume.
Among those who do not know how to use perfume is the woman who reserves a bottle of scent on a handkerchief, and the one who aims an atomizer at herself after completely gowned and calls herself perfumed.
"Perfume," he explains, "reacts differently on different skins. The odor that is right for indoors may lose its potency in the air. Perfume fascinating for the blond may put the brunette quite out of the running."
And where should you use perfume - why behind your ears or ever so slightly on the hair!
He suggests women try all odors until they find the one that is just right.
Saturday, August 15, 2015
Patou Forever - Coffret l'Orgue du Parfumeur c1997
Monday, July 13, 2015
L’Heure Attendue by Jean Patou c2014
From Jean Patou:
L’HEURE ATTENDUE A momentous and liberating fragrance created to commemorates that long awaited moment – The Liberation. The mists have blown away, night is no more and the sun has risen again. L’Heure Attendue bears witness to this rediscovered freedom.
A woody spicy oriental fragrance – a heartening and subtle fragrance which resonates a refined peaceful aroma, synonymous with a new mellowness of life.
Fragrance Composition:
So what does it smell like? It is classified as a woody spicy oriental fragrance for women.
- Top notes:
- Middle notes: spices
- Base notes: woodsy notes
Fate of the Fragrance:
Wednesday, June 17, 2015
Tuesday, May 12, 2015
Patou Pour Homme by Jean Patou c2014
Tuesday, April 14, 2015
Friday, March 13, 2015
Monday, February 16, 2015
Sunday, January 18, 2015
Sunday, November 16, 2014
Cocktail Bar a Parfums by Jean Patou c1928
In the late 1920s and early 1930s, cocktail bars emerged as cultural icons, embodying the spirit of the Jazz Age. This era, characterized by its roaring nightlife and sense of modernity, saw the cocktail bar as a central social hub where people gathered to enjoy innovative and stylish beverages. The atmosphere of these bars was glamorous and lively, appealing to the growing middle and upper classes who sought sophistication and new forms of entertainment.
In 1928, Jean Patou, ever the innovator, introduced a unique and charming feature to his Parisian showrooms: a cocktail bar. This was not merely a place to serve drinks but a strategic and thoughtful addition designed to enhance the shopping experience for both his clients and their companions. The bar was specifically intended to entertain and quench the thirsts of husbands and other men who often found themselves accompanying women during the sometimes lengthy and tedious process of fittings and fashion consultations.
In the luxurious fitting rooms of the popular Parisian couturier Jean Patou, an unusual invitation might have been heard: "Madame, while we are making this little alteration in your frock, won't you step down to the bar and take a cocktail?" This innovative concept, a cocktail bar complete with a polished counter, cozy seats, glistening bottles, and a white-coated bartender with an easy smile, became a significant hit among Patou's fashionable customers. The bar served as a delightful distraction from the tiresome delays of fittings and alterations, the indecision over which model to choose, and the doubts about prices and whether to splurge on one more dress. The affable barman, always sympathetic and helpful, added to the experience.
Interestingly, this bar was designed specifically for women. Originally, Jean Patou explained,"This is not a bar for men. I have installed this accommodation for women. Husbands and boyfriends can do their drinking around the corner. I want this to be a haven of rest and reflection for my clients." Patou believed that women appreciate a good cocktail as much as they do a good frock, and found that one stimulated them quite as much as the other. His three-piece cocktail, consisted of gin, Bacardi rum, and a secret ingredient, was particularly popular among his clients. While men were not barred from the salon, they were not particularly encouraged to stay, as the space was intended for women to think about fashion without the distraction of dressmaking bills.
The conversation at Patou's bar was unlike any typical bar setting. Politics, sports, and last night's party were replaced with discussions about dresses. Women exchanged phrases like "Have you seen this one?" rather than "Have you heard this one?" It was a space where only those who understood and appreciated tucks, ruffles, and hemlines would have felt at home.
Psychologists among the Paris dressmakers had long understood that keeping a customer's mind off the bill could ease the sales process. This insight led to the introduction of tea-dances and mannequin parades in the dress-making salons. Jean Patou's cocktail bar was a modern and most elegant evolution of this concept. The skill of his bartender in mixing drinks like "sidecars" and "rose" cocktails had even started to attract a clientele that might be tempted to buy a dress on the side, akin to a "chaser."
Patou’s showroom cocktail bar was a masterstroke in customer service and marketing. It transformed what could have been a dull and tiresome wait into a pleasant and enjoyable experience. Originally meant exclusively for women to enjoy, Jean Patou's cocktail bar eventually evolved to accommodate men who accompanied their ladies. Despite Patou's initial intention to create a haven exclusively for women to relax and reflect away from the pressures of dressmaking decisions, the appeal and convivial atmosphere of the cocktail bar extended its allure to both genders. The men, who might otherwise grow impatient or bored, were now engaged and entertained, making them more likely to view the shopping trip favorably and support the purchasing decisions of their wives or partners. This clever addition fostered a relaxed and convivial atmosphere, making the entire process more appealing and luxurious.